ABSTRACT
The study examined the pedagogical prospects of folksongs in reviving and teaching authentic African moral values. This study explicates that every action is a product of moral values. Moral values as defined by the study, means a standard on which people judge right actions from wrong ones. Moral values therefore are likely to vary from one society to another, just as cultures vary. The African culture or moral philosophy was examined from the standpoint of different scholars and all works seem to have a point of convergence which is the Philosophy of Ubuntu. Moral values of contemporary Africa seem to be in sharp contrast with its original philosophy of communal life (Ubuntu). It is this lack in practice of worthwhile authentic African moral blueprints that has initiated this research. The study investigated the additives inherent in indigenous education that were capable of raising sound minds and characters that are absent in contemporary Africa. From this study, it was discovered that in traditional Africa, the formation and practice of good character was a major determinant to the classification of the African “educated man”. The lack of good character in modern day Nigeria has led many scholars to declare some sense of a moral crisis in Nigeria. This study, with the aim of character formation and mulling, attempts to revive and teach worthwhile tenets of authentic African moral philosophy of Ubuntu. Basic level of education was the focus for the application of these folksongs. Basic level students most likely are the future youths and if we groom them properly, we might stand a chance of raising less: sex workers, cyber-crime, ritualism, cultism, election thugs, drug addiction in Africa, and Nigeria in particular. This research work was carried out using philosophical tools of descriptive and phenomenological analysis. African folksongs which represents the folk life of Africans will not only tell and teach the African child how Africans once lived or behaved, but also teach these, in an enjoyable and play-way manner (instead of the drudgery and boring shut-up and listen approach still practiced in Nigeria).This indeed will help reduce the shock felt by contemporary parents at the exploits of their wards. This will also help revive the moral virtues much valued by these parents when they make statements such us “in our days this or that cannot happen” or “this is not the way we were brought up”. These, indeed, according to some scholars in the study have been sacrificed on the altar of globalization, modernity or whatever name ascribed to it. Here the study holds that folksongs may have some positive inputs in solving the problem of cultural differences and intolerance. Therefore the study recommended ways in which folksongs can be utilized in reviving morals in schools, that folksongs should be used as extracurricular activity, to be sung at morning assemblies, break time and closing songs; that African teachers should be properly grounded in African philosophy in order to translate and transmit the meanings of any given folksongs to the students, even the meanings of folktales and proverbs; and that teachers should properly understand the nature of African thought-systems and their places in our contemporary development as a people, especially the teaching of African music and drama, in transmitting moral values to the children and in achieving integral national development.
TABLE OF CONTENT
TITLE PAGE 1
CERTIFICATION II
DEDICATION III
ACKNOWLEDGMENTS IV
ABSTRACT VI
CHAPTER ONE
INTRODUCTION
Background to the Study 1
Statement of Problem 15
Research Questions 16
Purpose of Study 16
Significance of Study 17
Scope and Delimitation of the Study 18
Definition of Terms 19
CHAPTER TWO
METHODOLOGY
Research Design 21
Methods of Analysis 21
Procedure 24
CHAPTER THREE
REVIEW OF RELATED LITERATURE
Introduction 25
Theoretical Framework 25
Ubuntu: An African moral philosophy 26
Ubuntu and African Philosophic Tradition 31
Ubuntu: A shared value and belief system with the entire Africa and
Nigeria in particular 35
Conceptual Analysis 39
CHAPTER FOUR
A CRITIQUE OF NIGERIAN CURRICULUM AND THE PLACE OF FOLKSONGS
Introduction 115
The Nature, Philosophy and Reason for Teaching Music as an Aspect of CCA 118
Music Curriculum Modules in Nigerian Primary Schools 120
Developing an Indigenous Music Curriculum for Primary Schools in Nigeria.
123
Developing Culturally Sensitive and Environmentally Adequate Learning Materials. 125
Traditional Music Teaching/Learning 126
Assessment of Students Academic Performance through Music Performance
129
Folksongs and language Policy 132
Overview of other studies that have critiqued the Nigerian curriculum on the areas of Creative and Cultural Arts Subjects and Folksongs 136
CHAPTER FIVE
SUMMARY, CONCLUSION AND RECOMMENDATIONS
Summary 146
Conclusion 150
Recommendations 152
Suggestions for Further Studies 157
References 158
Omonode, D. (2019). AFRICAN INDIGENOUS FOLKSONGS AS A PEDAGOGICAL VEHICLE FOR REVIVING AND TEACHING AUTHENTIC AFRICAN MORAL VALUES. Afribary. Retrieved from https://track.afribary.com/works/drake
Omonode, Drake "AFRICAN INDIGENOUS FOLKSONGS AS A PEDAGOGICAL VEHICLE FOR REVIVING AND TEACHING AUTHENTIC AFRICAN MORAL VALUES" Afribary. Afribary, 25 Aug. 2019, https://track.afribary.com/works/drake. Accessed 10 Nov. 2024.
Omonode, Drake . "AFRICAN INDIGENOUS FOLKSONGS AS A PEDAGOGICAL VEHICLE FOR REVIVING AND TEACHING AUTHENTIC AFRICAN MORAL VALUES". Afribary, Afribary, 25 Aug. 2019. Web. 10 Nov. 2024. < https://track.afribary.com/works/drake >.
Omonode, Drake . "AFRICAN INDIGENOUS FOLKSONGS AS A PEDAGOGICAL VEHICLE FOR REVIVING AND TEACHING AUTHENTIC AFRICAN MORAL VALUES" Afribary (2019). Accessed November 10, 2024. https://track.afribary.com/works/drake