ABSTRACT Walter K4mla Blege is a seasoned African art musician who uses his music to defend the cause of black Africans. He studied music at Mawuli Secondary School, Ho in the Volta Region of Ghana under the tutelage of Nicholas Zinzendorf Nayo and has continued by self-taught approaches to become a brilliant and prolific composer. This work, therefore, seeks to meticulously study and unearth the enviable compositional traits found in his works. It examines how he uses dances and other indi...
ABSTRACT This research seeks to discuss Totemism: its influence on the Akan Youth of Ghana touching on the types of totems, the philosophical and literal meanings of the totems and conservation of biodiversity. These totems have so much hidden knowledge to be learnt but most of the youth are ignorant about them. This problem can be associated to ignorance, adulteration of culture, improper documentation and the over reliance on adulterated oral history. The research seeks to bring to b...
ABSTRACT This project involved discovering the musical backgrounds of beginning music students of UEW. The goal was to show how their prior learning affects their musical abilities and their individual interests. All level 100 students‘ background was investigated using a questionnaire. Data was analyzed using quantitative statistics and presented in tabular form containing the number of responses per item (frequency) and the percentage of each response via graphs. The findings indicat...
ABSTRACT The study sought to identify the kind of instructional materials and methods of instruction employed in the teaching of Music and Dance in the Colleges of education gleaning on the link between the Creative Arts syllabus in Primary Schools and Music and Dance syllabus in Colleges of Education in Ghana. It was a Qualitative research that adopted Observation, and focus group Interview as the main data collection instruments. The Convenient and Purposive sampling techniques were used f...
ABSTRACT Festivals are integral parts of our culture as a people. During these festive occasions, art forms are celebrated too since their roles are indispensable. The festival embraces the community, raising them onto a plane marked by aesthetics, spiritual and social values. The aesthetic values and preservative qualities of Ohum festivals cannot be relegated to the background. This thesis set out to document the history of Ohum festival, art forms used their roles, aesthetic and preserva...
ABSTRACT The purpose of this study was to investigate reported influences on Ghanaian Basic School band pupil’s instrument choices, to gain an understanding of reasons expressed by students for preferring certain instruments and not others, in addition, to explore whether Ghanaian children are gender-stereotyped in their musical instrument choices. A questionnaire was developed to gather information concerning students’ instrumental music experience, family participation in band, reported...
ABSTRACT The purpose of this thesis is to explore the performance aesthetics of Klama as a movement system of the Dangme people of Gbugbla (Prampram). I observe that Klama as a movement system, integrates the core manifestations of Klama (music, dance, medicine/healing and performance) into a complete epistemological system for the purpose of enculturation, entertainment and revival of the culture. As a body of knowledge, Klama has embedded within it philosophical, socio-political, religiou...
ABSTRACT Sale ratio is vividly dictated by equal open product exposure to consumer attention. In these situations, the determining factor of sale is the quality of packaging. Since madein-Ghana products remain integral part of our daily life in Ghana, it is therefore high time that practitioners of the industry presented it safe to the consumer by packaging them very well. On the market where local products stand in contrast with foreign ones, packaging deficiencies of local products s...
ABSTRACT The purpose of this study was to address the poor teaching strategies teachers employ in the teaching of Creative Arts in the basic schools which do not promote effective teaching and learning. The study identified the methods employed by teachers in the teaching of creative arts in the basic schools in the Gomoa West District and also suggested the various strategies to be employed in order to improve the teaching of the subject in the basic schools. The sample for the s...
ABSTRACT An important part of oral communication that constitutes a noble component of language among Ghanaians is the proverb which is used in everyday correspondence, music, poetry, and oral drama. Many Akan proverbs are represented in Asante goldweights which were used as counter weights for gold dust and nuggets, the main currency of ethnic Ghana. The use of gold dust and nuggets as currency was forbidden in 1889 by the Gold Dust and Nuggets Ordinance, while keepin...
ABSTRACT This thesis used the notion of life after death in the African traditional religion to create a picturesque or an imaginary ‘African classicism’ about the ancestors (Nananom Nsamanfo) coming out of their graves to dance. In addition, the concept of cultural return to roots has been used to blend Ghanaian traditional musical resources (tunes, rhythms, art, etc) and styles with scholarly compositional techniques. Within the present study, Asamanasaw is an instrumental composition f...
ABSTRACT The focus of this studio-based study was to transform scrap metals into aesthetic masterpieces of art. It was premised on the assumption that the intuitive technique of working with scrap metal art provides the freedom and flexibility to exercise creative expressions on a three dimensional level of art. Moreover, our environment can be enhanced and saved from untidiness and destitution through different efforts, one of which the artist can contribute his/her quota creatively to tran...
ABSTRACT Dance as a complex cultural phenomenon contains elements that define people as belonging to a particular cultural group. As a form of self-expression and communication, dance has the power to bring people together in peaceful coexistence. This thesis examines dance as a tool for identity negotiation in the church. It focuses on the Presbyterian Church of Ghana, specifically the Immanuel congregation at Madina, Accra. The Presbyterian Church was the first Christian church to be instit...
ABSTRACT This study explores the compositional stylistic traits of C.W.K. Mereku through formal analysis of his choral works. It highlights the extent to which Mereku uses traditional idioms and styles in his compositions. Through descriptive research design and analytical approach, it was found out that Mereku usually has simple melodies and his usage of tunes to text in his compositions usually follows the speech surrogate or the sound culture of the owners of the language used. Furthermo...
ABSTRACT This study examined the impact of the Chale Wote Street Art festival in James Town in the Accra Metropolis of Ghana. A descriptive case study design was employed for the study and purposive sampling technique was employed to select the respondents consisting of 14 people: 2 festival Organizers, 4 Members of the Host Community, 2 Participating Artists, 3 festival Attendees, 2 Sponsors and 1 official from the Centre for National Culture were drawn for the study. The instruments used i...