ABSTRACT
this paper evaluates the relevance of the culture industry thesis in understanding the econimic and aesthetic production processes of zim, dancehall music in zambabwe.
mugari, Z (2021). Riding The Riddim: Rethinking The Culture Industry Thesis In The Economic And Aesthetic Production Of Zim Dancehall Music. Afribary. Retrieved from https://track.afribary.com/works/riding-the-riddim-rethinking-the-culture-industry-thesis-in-the-economic-and-aesthetic-production-of-zim-dancehall-music
Mugari, Zvenyika "Riding The Riddim: Rethinking The Culture Industry Thesis In The Economic And Aesthetic Production Of Zim Dancehall Music" Afribary. Afribary, 03 May. 2021, https://track.afribary.com/works/riding-the-riddim-rethinking-the-culture-industry-thesis-in-the-economic-and-aesthetic-production-of-zim-dancehall-music. Accessed 05 Oct. 2024.
Mugari, Zvenyika . "Riding The Riddim: Rethinking The Culture Industry Thesis In The Economic And Aesthetic Production Of Zim Dancehall Music". Afribary, Afribary, 03 May. 2021. Web. 05 Oct. 2024. < https://track.afribary.com/works/riding-the-riddim-rethinking-the-culture-industry-thesis-in-the-economic-and-aesthetic-production-of-zim-dancehall-music >.
Mugari, Zvenyika . "Riding The Riddim: Rethinking The Culture Industry Thesis In The Economic And Aesthetic Production Of Zim Dancehall Music" Afribary (2021). Accessed October 05, 2024. https://track.afribary.com/works/riding-the-riddim-rethinking-the-culture-industry-thesis-in-the-economic-and-aesthetic-production-of-zim-dancehall-music